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Show a result reaching its goal and continuing beyond it. The nine-second scene fills to a fixed 100% marker, adds a patterned excess segment, and holds the final completion percentage beside the track. Supply the achieved value and target in the same unit; the animation calculates their ratio without deciding whether exceeding the target is desirable.
Name what the target represents before celebrating the overrun. Explain the raw value as well as the normalized completion percentage, and distinguish “118% of target” from “118% above target.”
/creatormotion-comparison-target-overrun Turn my supplied explanation into a white-yellow B-roll scene using the Target Overrun effect. Use the text, data and media I provide, and ask for any required input that is missing.Prepare label, achieved value, a positive target and unit in JSON. Use the same measurement basis for value and target. Replace the illustrative 118-against-100 example with figures you can substantiate; an above-target value preserves this effect’s defining threshold crossing.
Check the arithmetic separately. For value 118 and target 100, the counter ends at 118.0% of target, which is 18% above target. For 59 against 50 it also ends at 118.0%; unit labels the raw amounts rather than changing that calculation.
Keep the label and supporting unit concise. Very large ratios leave a short target portion and can squeeze the goal annotation even though total bar length fits the scene. No presenter, alpha matte or raster image is used; the excess pattern is editable styling.
From the extracted package, prepare Node.js 22+, FFmpeg and HyperFrames CLI 0.8.30. Run node scripts/create.mjs --out PROJECT --data CONTENT.json --style white-yellow, substituting another documented palette if wanted. Read the motion specification and image policy before adapting the scene; use semantic --overrides for deliberate style changes.
Inspect the editable project at entry, each motion handoff and final hold, then render with the command printed by the generator. Check the resulting frames for text collisions, correct numbers and readable contrast. Keep at least 1.2 seconds for the final reading when editing, and compare all four palettes with identical content after structural changes. Narration, music and assembly into a longer film remain separate work. Inspect the fixed goal line, both fill/counter phases and the final supporting sentence. Never lengthen the overrun independently of the supplied ratio to make a stronger visual claim. Check the narrative too: exceeding a budget or capacity limit may be undesirable, despite the delivery wording in the current supporting sentence.
Yes. label, value, target and unit are JSON inputs, with four palettes and optional semantic overrides. The goal marker is intentionally fixed at 100%; its wording and the delivery sentence structure are in the effect code.
No. The track, threshold, counter, excess pattern and supporting text are generated as editable elements. Generic media instructions do not require footage or image replacement here.
Yes. Keep the goal-reaching phase and the separately styled overrun synchronized with the counter. Re-render after timing or style changes and retain a readable final view of the target, result and excess.
The geometry can show a positive value below target, but then the excess segment has zero width and the second count phase has no change. Use an over-target result for this effect’s intended explanation, or adapt the narrative and sequence deliberately.
No. It is completion relative to the supplied target. It does not compare against a previous period, compute an increase from a baseline, or establish that the result is good.
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+7Use this Skill to create broll animation.
+7Use this Skill to create broll animation.
+7Use this Skill to create broll animation.
+7Use this Skill to create broll animation.
+7Use this Skill to create broll animation.