Previews from the publisher
Create a clear break between two image scenes with a short title interstitial. Complementary angular planes close over the outgoing scene, open onto a headline and ordinal, then repeat the cover/open action for the destination. This 6.8-second composition provides an authored transition sequence rather than selecting edit points or assembling a complete film.
Use the interstitial to explain why the subject changes. Keep the covered switch points intact and evaluate the last scene as a reading surface rather than adding movement simply because the wipe has finished.
/creatormotion-transition-polygon-wipe Turn my supplied explanation into a white-yellow B-roll scene using the Polygon Scene Wipe effect. Use the text, data and media I provide, and ask for any required input that is missing.Prepare all three title stages and the ordinal. Keep before/after labels concise and the interstitial short enough for its large condensed uppercase treatment. The initial/final BEFORE and AFTER labels are fixed scene text.
Reuse before-image and after-image or replace those exact slots with --images MAP.json. Relative paths resolve beside the map and unnamed defaults remain. Both rasters are mandatory even though the scene needs no presenter; text embedded in them does not change with JSON titles. Follow the image policy.
Preserve the three-stage narrative and the fully covered switch moments. The current planes share the accent fill; older black/light-plane wording is not a separate dual-tone control. Check image/title contrast under the dark overlay rather than assuming palette changes recolor the photographs.
From the extracted package, prepare Node.js 22+, FFmpeg and HyperFrames CLI 0.8.30. Run node scripts/create.mjs --out PROJECT --data CONTENT.json --style white-yellow, substituting another documented palette if wanted. Read the motion specification and image policy before adapting the scene; use semantic --overrides for deliberate style changes.
Inspect the editable project at entry, each motion handoff and final hold, then render with the command printed by the generator. Check the resulting frames for text collisions, correct numbers and readable contrast. Keep at least 1.2 seconds for the final reading when editing, and compare all four palettes with identical content after structural changes. Narration, music and assembly into a longer film remain separate work. Inspect actual transition frames around both full-cover points for old text leaking through, gaps or clipped headings. Keep the middle title readable before the second pass and the destination calm afterward. Narration and film assembly remain separate work.
Yes. The four documented title/ordinal fields are JSON inputs, with palettes and semantic overrides. Both angular planes use the accent treatment in the current code; BEFORE/AFTER labels are fixed strings.
No presenter video is required. The two image scenes use required before-image/after-image rasters with bundled defaults. These are still-image slots, not automatic video inputs.
Yes. Preserve coverage before scene substitution and both cover/open passes. Re-render after changes and inspect the transition frames, not just the title poster.
No. The sequence has authored timings and supplied image/title stages. You decide how it fits into a larger edit.
That would change the defining three-stage sequence. Deliberately revise its timing and covered switches if a two-scene wipe is what your edit needs.
Select a star to share your experience.
No reviews yet. Ratings appear once readers share real experiences.
+7
Use this Skill to create broll animation.
+7Use this Skill to create broll animation.
+7Use this Skill to create broll animation.
+7Use this Skill to create broll animation.
+7Use this Skill to create broll animation.
+7Use this Skill to create broll animation.
+7Use this Skill to create broll animation.
+7Use this Skill to create broll animation.