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Frame a presenter with two concise ideas in tension. An opening label retracts, then a compact dark print patch enters on the left and unboxed slanted white text arrives on the right. The asymmetry distinguishes the two statements while the central person remains visible. This 6.8-second composition supplies the staged comparison; you provide the footage and the reasoning behind it.
Use two phrases that reveal a real tension, then choose footage with enough side space to show them. Check the person and labels together; an elegant text treatment fails if the crop hides the face or the right phrase disappears into the background.
/creatormotion-type-opposing-labels Turn my supplied explanation into a white-yellow B-roll scene using the Opposing Side Labels effect. Use the text, data and media I provide, and ask for any required input that is missing.Write three short phrases: an initial setup followed by left/right counterparts. Make their relationship understandable without relying only on color. The initial phrase disappears before the pair arrives; it is not a third item in the final comparison.
Supply a continuous local presenter/background take at least 6.8 seconds long through --media. Keep it muted and do not loop a short recording. The scene uses a tighter 128% crop shifted left, so review the real face position and available side space rather than assuming any centered recording will fit.
Keep replacement labels within the two fixed side zones and inspect white text against the moving right-hand background. The gradient helps contrast but does not guarantee it for every take. No alpha matte or image map is required by this effect; real audio alignment remains separate.
From the extracted package, prepare Node.js 22+, FFmpeg and HyperFrames CLI 0.8.30. Run node scripts/create.mjs --out PROJECT --data CONTENT.json --style white-yellow, substituting another documented palette if wanted. Read the motion specification and image policy before adapting the scene; use semantic --overrides for deliberate style changes. Add --media /absolute/PRESENTER.mp4.
Inspect the editable project at entry, each motion handoff and final hold, then render with the command printed by the generator. Check the resulting frames for text collisions, correct numbers and readable contrast. Keep at least 1.2 seconds for the final reading when editing, and compare all four palettes with identical content after structural changes. Narration, music and assembly into a longer film remain separate work. Check the initial clearance, staggered pair, central face region and the worst contrast frame on the right. Keep the distinct dark-patch/unboxed treatments and a steady paired hold instead of turning both sides into generic cards.
The three labels are JSON inputs and the package supports palettes and overrides. The current paired labels deliberately use a fixed dark patch and white type; switching a palette does not recolor every part of that contrast.
Yes. Bring one continuous local take covering the full 6.8-second shot. A transparent cutout is not required; the labels sit over the cropped video.
Yes. Preserve the setup-label removal, staggered opposing labels and clear central presenter region. Render after changing the crop, label sizes or timing.
Their positions and video crop are authored. There is no face tracking or automatic collision avoidance; choose a suitable take or adjust the composition.
It darkens that region but cannot guarantee contrast throughout arbitrary footage. Inspect moving frames, especially bright details behind the white phrase.
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+7Use this Skill to create broll animation.
+7Use this Skill to create broll animation.
+7Use this Skill to create broll animation.
+7Use this Skill to create broll animation.
+7Use this Skill to create broll animation.